Song 53

“Song 53”

What is a poem to a creme brulee?
A tap, a crack, a crumb
Burnt sugar on your lip

And what is a creme brulee to a song,
An echo, little words
To taste upon your tongue

What is a song to a body
willing, a kiss like June

This fire in your mouth

But what is a body to a poem
Between sweet lines, this breath
Is all I have to offer

Continue reading

Tear Down To The Bones

scissors_PNG1When I was a teenager, I LOVED buying thrift-store clothes and altering them.  (Like everything I did, I did this before it was cool.  What can I say? I’m a trend-setter).  I was a teen in the age on JNCOs and pointy-toe stiletto boots, and a goth girl, to boot.  I had to make due with what I had, but as a result, I had some amazingly cool clothes.

And although my days of wearing cigarette-cut pants trimmed with neon purple boas are over, the ability to tear something down and salvage the good pieces again is really coming in handy on my Work in Progress.

I’ve written almost two full first drafts of a new novel, and both of them are going to be scrapped.  The first draft was like a pair of fancy cut-offs: Cut out the pieces with the holes worn through, but embellish what’s left.  The second draft, it seems, is going to be more like an old concert shirt, stretched and faded beyond use.  Cut out the best part and see if there’s something else you can sew it onto–a tank top, a tote bag, a throw pillow.  Make something useful out of scraps.

Continue reading

Sin City: A Dame To Kill For

Plastic Clive Owen is a better Dwight than Josh Brolin could ever hope to be.

Plastic Clive Owen is a better Dwight than Josh Brolin could ever hope to be.

Tonight I will do the exceptionally stupid.

Tonight I will watch Sin City 2: A Dame to Kill For.

Yes, again.

Let me explain:

I’ve spoken before about how Sin City is one of the most important films of my 20s.  But the story I don’t often tell is this.

A Dame to Kill For got my friend Jason & I back together.

Continue reading

New Notebook: Arche/SuperCola

Introducing Arche/SuperCola!

Introducing Arche/SuperCola!

Time for a new notebook!

I can’t believe how fast I went through Lucca.  This new WIP (working title: The Lords of Yesterday) has me scrawling scenes even more than I did in the early days of The Big Rewind.  It’s a much different book for me, so I’m letting myself play with POV and scene variation, as well as a TON of beautiful collage work.  I’ve really gone kinda crazy, and I regret nothing.

Lucca was experimental in paper usage and texture.  The map pages were pretty, but writing on them proved useless, so they ended up being collage pages.  The parchment was a nice surface and added color, but tended to smudge with the big fat gooey ink pen I use because my hands are basically claws now.  I don’t think I’d do the origami paper on the spine again.  It looked pretty, but took up valuable page space.

My original intent was to make a double-sided journal, like an old pulp novel–on one side, Crime Writing, flip it over, General Work.  But I’ve still got about half of Mona left, so the pages would end up being wasted.  I needed a new notebook, and I needed one fast, so I put what I had on hand to good use.

Arche/SuperCola is very basic in design, but represents the finest of all my techniques combined — multiple paper types, end pages, French stitch and metal accouterments.  I had bought the hinges for another project, but they proved to be merely decorative and basically non-functioning.

Continue reading